Meet the LAMP Family

Artistic Team

  • Email: AD at lampns.ca

    Acclaimed as an “outstanding ensemble…cohesive yet full of temperament” (The New York Times), the Verona Quartet has firmly established itself amongst the most distinguished ensembles on the chamber music scene today. The group’s singular sense of purpose earned them Chamber Music America’s coveted 2020 Cleveland Quartet Award, and a reputation for its “bold interpretive strength, robust characterization and commanding resonance” (Calgary Herald). The Quartet serves on the faculty of the Oberlin College and Conservatory as the Quartet-in-Residence and as Artistic Directors at Nova Scotia’s Lunenburg Academy of Music Performance. In addition to its position at Oberlin, the Quartet also recently held recent multi-season residencies at the ENCORE Chamber Music Institute and North Carolina’s Chamber Orchestra of the Triangle. As committed advocates of diverse programming, the Verona Quartet curated the UpClose Chamber Music Series on behalf of the COT, electrifying audiences with their “sensational, powerhouse performance[s]” (Classical Voice America).

    The Verona Quartet has appeared across four continents, captivating audiences at venues such as Carnegie Hall, Lincoln Center (New York City), Kennedy Center, Library of Congress, the Smithsonian Institution (Washington, D.C.), Jordan Hall (Boston), Wigmore Hall (U.K.) and Melbourne Recital Hall (Australia), and has performed at festivals including the Santa Fe International Chamber Music Festival, La Jolla Summerfest, Chamber Music Northwest, Bravo! Vail, Texas Music Festival, Caramoor, Green Mountain Chamber Music Festival, Kneisel Hall, MISQA, and with the Chamber Music Society of Lincoln Center.

    In the 2024-25 season, the Verona Quartet will debut at numerous prestigious series institutions including the Grand Teton Music Festival, Eastman School of Music, Peabody Institute of Music, Music Mondays in NYC, Lebanon Valley College, San Antonio Chamber Music Society, Camerata Musica in Washington state, and for the University of Buffalo’s celebrated Slee Beethoven String Quartet Cycle. The Quartet also returns to The New School of Music’s Schneider Series, Clemson University’ Utsey Chamber Music Series, Town Hall Seattle, University of Hartford’s Garmany Chamber Music Series, Chamber Music Society of Central Kentucky, and the Freer Gallery of Art, among others. Beyond their standalone performances this season, the Verona tours goes on tour with pipa virtuoso Wu Man, saxophonist Steven Banks —which includes a cutting edge commission by composer Christopher Theofanidis—and a string octet program with the Borromeo String Quartet. Last season, the quartet gave a noteworthy its successful first tour of England and performed at series including Clarion Concerts, the Isabella Stewart Gardner Museum, Brevard Music Center’s Parker Series, Chicago Chamber Music Society, Wooster Chamber Music Series, the Hilton Head Symphony’s BravoPiano! Festival, La Jolla Athanaeum, University of Southern California, Eureka Chamber Music Series, Honolulu Chamber Music Series, and Music Toronto.

    A string quartet for the 21st century, the Verona Quartet champions the rich breadth of the string quartet repertoire from the time-honored canon through contemporary classics. Notable commissions and premieres include works by composers Julia Adolphe, Texu Kim and Sebastian Currier as well as Michael Gilbertson’s Pulitzer Prize-nominated Quartet. In 2023, the Quartet celebrated several world premieres including a work for string quartet, yangqin (Chinese dulcimer) and dancer by Cheng Jin Koh, commissioned by The Smithsonian Institution in honor of the centennial of the Freer Gallery of Art.

    The Verona Quartet’s second album, SHATTER, debuted at #1 on the Billboard Traditional Classical Chart in the summer of 2023. SHATTER showcases works written for the Verona Quartet by American composers Julia Adolphe and Michael Gilbertson as well as Reena Esmail’s Ragamala, in collaboration with Hindustani vocalist Saili Oak. The Verona Quartet’s debut album, Diffusion, was praised by BBC Music Magazine for its "radiant glow" and Cleveland Classical for the “Verona’s technical precision, expressive freedom, and brilliant, dramatic phrasing”. The Quartet’s third album, composed of Ligeti’s complete string quartets, was released in December 2023 with Dynamic Records in celebration of the composer's centennial year.

    In addition to promoting contemporary music, the Quartet strives for a dynamic, imaginative approach to collaboration and programming that champions cross-cultural and interdisciplinary enterprises. Recent collaborations include touring with Polish guitarist Łukasz Kuropaczewski and performances of Osvaldo Golijov’s seminal work Dreams and Prayers of Isaac the Blind with clarinetists Alex Fiterstein and Todd Palmer. In the upcoming season, the Quartet looks forward to return collaborations with Alex Fiterstein and violist Atar Arad as well as a new project with pianist Eric Lu. Past projects include a live-performance art installation with artist Ana Prvački, performances with dancers from Brooklyn’s Dance Heginbotham, artistic exchanges with traditional Emirati poets in the UAE, and a collaboration with GRAMMY-winning folk trio I’m With Her.

    Continuing in the lineage of their esteemed mentors the Cleveland, Juilliard and Pacifica Quartets, the Verona Quartet’s rapid rise to international prominence was fueled by top prize wins at the Wigmore Hall, Melbourne, M-Prize and Osaka International Chamber Music Competitions, as well as the 2015 Concert Artists Guild Competition.

    The ensemble’s “vibrant, intelligent” (The New York Times) performances emanate from the spirit of storytelling; the Quartet believes that this transcends genre and therefore the name “Verona” pays tribute to William Shakespeare, one of the greatest storytellers of all time.

    The Verona Quartet are D’Addario Artists and The Violin Channel Artists

    Photo credit: Tanya Rosen-Jones

  • Email: education at lampns.ca

    Anna Han has actively engaged with her communities in every chapter of her career as a creator, educator, and leader. She is dedicated to absorbing as many cultures as possible and creating bridges between people to facilitate new possibilities. As a concert pianist, she has performed solo, chamber, and concerto concerts around the world and collaborated with well over a hundred musicians in chamber ensembles. An alumnus of the Barenboim-Said Akademie in Berlin, Royal Academy of Music in London, and the Juilliard School in New York City, she brings a wide perspective of musical education systems and appreciation for diverse artistic traditions. She is a proud recipient of the Bita Cattelan Philanthropic Engagement Award awarded by the Concours Musical International de Montréal, the Juilliard School’s William Schuman Prize for outstanding achievement and leadership in music, the Juilliard Kovner Fellowship, a full-tuition and expenses scholarship awarded to students based on artistic and academic merit, as well as intellectual curiosity, commitment to the value of art in society, and potential for leadership.

     Anna has taught instrumental lessons to students from beginners to professionals, as well as conducted masterclasses for middle school, high school, and college students around the United States. She is on the faculty of Yellow Barn’s Young Artist Program in Vermont, where she coaches chamber musicians selected from annual live auditions in about a dozen cities around the world. Previously, she has coached chamber music groups of students aged 9-19 as a mentor for the Kneisel Hall Festival Maine Students Program and as a faculty member of the Music Academy of the West MERIT program in Santa Barbara, California. She has also worked as a collaborative pianist at both the Barenboim-Said Akademie and the Juilliard School, helping pre-college, college, and graduate students through rehearsals, recordings, lessons, and concerts.

    Her experience as an educator includes classroom experience for theoretical musicianship subjects and interdisciplinary work. As a Juilliard Ear Training Teaching Fellow for two years, she taught 15-30 undergraduate and graduate lessons per term and conducting weekly coachings. As a Colloquium Peer Mentor, she worked with a faculty member to run weekly Colloquium classes designed to foster interdisciplinary relationships among first-year BM students, inspire arts development and citizenship-related discussions, and aid adjustment to college life. She was one of the founding administrators of the ArtSwap program, a club which facilitated lesson swaps and collaborations between students of different disciplines.

     Anna has a long and varied history of educational outreach, a vital component to both the current musical landscape as well as LAMP’s philosophy. She has been visiting schools to conduct outreach events since she was in high school, designing programs for every age from preschoolers to college students. During her studies at Juilliard, she won a position as a Gluck Community Service Fellow, giving interactive, interdisciplinary performances with an ensemble of two dancers, a violinist, a cellist, and a composer at hospitals, nursing homes, and alternative healthcare facilities around the city. As a Concert Fellow, she also taught music lessons to a class of fifth-graders at a local public school in conjunction with a series of Young Peoples’ Concerts.

     Anna Han first came to LAMP as a pianist doing a long-term residency during the Covid lockdown, and has since returned for multiple projects, including replacing another pianist on short notice on two occasions. She was appointed resident pianist in 2023, collaborating with multiple faculty members and students, teaching masterclasses, and performing her own solo programs. She began to aid on the administrative end after the founding artistic director Burt Wathen stepped down in February 2024. Leading up to her appointment as Education Director, she curated recital programs for all the 2024 LAMP fellows, organized and taught masterclasses for young local musicians, and directed LAMP’s first ever Community Education Academy, a week-long festival included free workshops and lectures exploring the musical process at all levels of experience, as well as chamber music concerts in three local venues.

  • Burt Wathen, was a founding member of Symphony Nova Scotia and as acting Music Director was responsible for bringing Maestro Georg Tintner to Halifax. He has taught and served on the boards of the National and Nova Scotia Youth Orchestras in Canada.

    Burt served for ten years as Daniele Gatti’s Principal Viola in Bologna, and has served as Principal Viola for some of the world’s most revered conductors including: Riccardo Muti, Giuseppe Sinopoli, Roberto Abbado, Georges Pretre, Sir Neville Mariner, Georg Tintner, James Conlon, Charles Dutoit, Mstislav Rostropovic, Christian Thielemann, Vladimir Yurofsky, John Nelson, Gary Bertini, Michele Mariotti, and more.

    As a viola soloist, Burt performed the Italian premier of Benjamin Britten’s Double Concerto for Violin, Viola and Orchestra (Willem Blockbergen violin, Teatro Comunale di Bologna).

    In 1999 Burt was one of only two performers in Italy invited to participate in the Millennium Gala Concert in New York as a part of the Symphonicum World Orchestra, comprised only of principal players from orchestras around the world.

    As a chamber musician, Burt has performed with Raina Kabaivanska, Walter Trampler, Chantal Juillet, William Tritt, Steve Dann, Andrew Dawes, Joel Quarrington, Phillip Djokic, Terrence Helmer, Rifka Golani, Vladimir Yurofsky, Shlomo Minz, the Gryphon Trio, Mark Fewer, and Walter Delahunt among others.

    Burt has an extensive recording history which includes broadcasts by Radio Canada, CBC and RAI. He also served as a juror for international Viola competitions in Genova, Trieste, and Bologna, Italy.

    LAMP exists today because of the many years of tireless work (not to mention blood, sweat, tears and love) Burt and his lovely wife Jane Theman gave to the organization and to the artists who were lucky enough to share in his dream.

    Burt retired in February of 2024 and now lives year-round in his beloved Pesaro, Italy.

Operations Team

  • Email: info at lampns.ca

    Trudi’s experience is diverse and includes everything from working as a Legal Executive in the UK and New Zealand to office administration, website design, bookkeeping, graphic design and even teaching in a Lunenburg preschool. Prior to joining the LAMP family, she served as General Manager for the Lunenburg Dory Shop and Office Manager for the Barque Picton Castle. She spent three years working at LAMP in Student Services and as office manager before stepping into the General Manager's position. Trudi is involved in the local community, volunteering in a wide range of projects and is a member of the Lunenburg County Music Festival as well as the Board Secretary for Three Churches Foundation in Mahone Bay - a charitable organization created to help fund the upkeep of external facade and streetscape of these three iconic churches in Mahone Bay. Trudi strives to help in the community however possible, and in the role as GM hopes to make LAMP more accessible to locals and community groups such as Lunenburg's new Community Orchestra and "Tharangam Lunenburg" Chenda Melam.

    Though she grew up in Halifax, Trudi has lived in Lunenburg County for 21 years with her kiwi husband Greg (whom you'll see managing the Bluenose II Mobile Exhibit on Lunenburg's waterfront) and their three (now grown) kids. Music & art, laughter and good food are three things Trudi simply cannot live without.

  • Email: admin at lampns.ca

    Linda returned home to the Maritimes in January 2020 after many years of varied and eclectic adventures. Originally from New Brunswick, a NSCAD Alumni she moved to Vancouver Island, the British Virgin Islands and beyond. She has many years of administration and management in screenprinting & shipping; then with her husband, running their own yacht repair company, followed by operating a luxury sailing yacht. This brought them throughout the Caribbean and Europe/ Mediterranean and Adriatic. When possible, Linda works on her art – photography, printmaking and textiles - and enjoys being in the woods, on the water and at the shore.

    The South Shore of Nova Scotia has always felt like home and she’s grateful to be here.

  • Email: Development at lampns.ca

    Chris Au has a deep passion and understanding of the mission of LAMP as a concert pianist who has studied in the leading music conservatories and institutions in Canada such as the Glenn Gould School of the Royal Conservatory of Music, the University of Montreal’s Faculty of Music, the Banff Centre, and the Orford Music Academy. His personal experiences of the challenges and rewards of being a musician in the halls of LAMP help him shape fundraising strategies that resonate both with donors and beneficiaries.

    Having lived, studied, and worked in Canada for over ten years, Chris has cultivated networks within the music community from coast to coast, which can be leveraged to create partnerships, secure sponsorships, and attract a wide range of support. These networks have developed his reputation as a performing and teaching musician.

    A large part of the DD role is in fostering and engaging audience members and patrons in the significance of music. Chris’ experience as a performing and teaching musician has bestowed upon him a knack for engaging such audiences through storytelling and opening up the world of what musicians do in and out of the practice room.

    Lastly, my years of experience as Head of the Artistic Team at the Joy of Music organisation and Assistant Education Coordinator at the Orford Music Academy bolsters my administrative knowledge. I have also had the joy of developing relations with major donors and patrons in Toronto such as Joan and Jerry Lozinski. This will be invaluable in not only managing communication with the Board, Artistic Director, General Manager, and Education Director, but also for outreach and concert planning, musician and guest artist relations, and ultimately helping to build an infrastructure that supports the legacy and mission of LAMP for many years to come.

    I believe that my work experience and insight as a musician pairs very closely with LAMP as an organisation, and thus makes me particularly suited to drive fundraising initiatives and foster meaningful relationships that support LAMP’s mission.

  • We are incredibly honoured that all of the photographic art on the walls of LAMP was created by our good friend, supporter, and artist Raoul Manuel Schnell. In addition to the breathtaking art hanging on our walls, all of the photographs on this website and appearing on much of our promotional publications were also taken by Manuel.

    Raoul Manuel Schnell’s Biography

    The world of the arts dominated Raoul Manuel Schnell’s life early on owing to his upbringing. Considering this background it was no surprise that he attended the College of Art and Design in Lugano, Switzerland where he found his calling when he set foot into a darkroom for the first time. Though he completed his studies in Interior Design, his only goal from then on was to become a photographer.

    Raoul Manuel Schnell specialized in still life and ran a studio with extensive custom-made lighting installations in order to perfectly effectuate the play of light and shadow in a picture. He photographed the most challenging objects but then, after more than 20 years spent in a black studio, it was time for a fresh start.

    In 2004 his career changed radically as he moved to Canada. Instead of fully resuming his work in advertisement he began to focus on the artistic side of photography. After being used to working in colour for so long, he now found beauty in black and white photography. He rediscovered his love for food as subject matter and found a new one: people. But some things never change: Raoul Manuel Schnell’s focus on light was - and still is - a central part of his images, but now he has abandoned the studio with its elaborate technologies and uses natural light whenever possible.

    His predator-like approach to form and human feature as a psychological mirror marks his very own style, easily identifiable throughout his work.